Sewing is Art
Sew, eat, sleep. Nothing else matters.
Sewing is Art springs from Kelly Hogaboom's sewing room high in a turret overlooking 6th street in HQX. She's currently working on a corset. Yes, a corset.
Featured Project: Portland Coat

My birthday present to my brother was a custom-designed coat! He seems to want it designed like many of his other coats! That's fine with me.
See the latest in Sewing for Foo in Tutorials.

I love my Spartan. I bought it for $50 for Sophie. She sews on it a little; I sew on it a bit more; Ralph sews on it! My 201 being in the shop, and my Kenmore not quite having the balls I need, my littlest guy is working just fine.

Do you know what this means? These pinked seam allowances mean I've settled on a corset fit. The corset is still slightly too large - lacing relatively tight with only 1" of gap. However, I'm happy enough with it and besides: making it smaller or lacing it tighter makes it shorter on my torso. Right now, it's perfect.

I then stitched the twill tape to the waist as reinforcement. Easy and fun! Some may not like the horizontal stitching lines on the outside of corset - but I like anything that adds texture!

As long as we're going retro; I bought needles in the thrift store in Oly yesterday. I broke the seal today (I am a believer in occasionally using useful, well-made, older goods!) and found the perfect needle for invisible-knotting through my stiff corset shell. These needles are Bell brand; ever heard of them?
Ever since I moved my sewing studio to my mom's - and sew there often - my mother has taken up the craft more. Yesterday she finished some underwear for my son. Cute? You decide:

You can turn any little piece of fabric into high-quality underwear for a child. Yes, that's a real front placket (sewn shut, though). Yes, these are five-paneled boxers with the cute butt panel.
The Timberlane Press "First Choice" boxer pattern meets the definition of a great sewing pattern - replete with well-described techniques, tips, and thorough diagrams. Even a beginning stitcher would enjoy these. They have an adult version that is my husband's favorite-ever boxer.

Nels loves them. Natch.

You can turn any little piece of fabric into high-quality underwear for a child. Yes, that's a real front placket (sewn shut, though). Yes, these are five-paneled boxers with the cute butt panel.
The Timberlane Press "First Choice" boxer pattern meets the definition of a great sewing pattern - replete with well-described techniques, tips, and thorough diagrams. Even a beginning stitcher would enjoy these. They have an adult version that is my husband's favorite-ever boxer.

Nels loves them. Natch.
Labels: Nels underwear Grazdma
Today I spent a bit of time in the morning taking my corset in - 1/8" over eight seams. Easy and fun! I talked with my parents downstairs while taking out the erroneous seams. I am just WANTING to keep sewing on it but - I have a family and stuff that also needs me.
Then - the event of the day, a roadtrip to Olympia with my family. We hit Joann's and then CanvasWorks, my mom stopping at Bayside Quilter's. Despite fabric temptation that sometimes feels like a once-a-year visit to a whorehouse, I only bought one bit of yardage on impulse (seen below with the lace beading and ribbon for my corset top):

Will I ever grow out of poison green? Why would I want to?
I will be dyeing the lace beading to a slightly-darker rose pink, I think. I also think I'll use Dylon but am open to suggestions.
The rest of the shopping focussed on the yardage and notions for my brother's Portland coat.

I am thrilled he actually wants a coat from me; in the past the little grub has tried to talk me out of sewing for him, period. Today he turned into rather an exacting customer regarding fabrics. This was actually great for me; anything worth sewing is worth sewing the way you want it. I am glad he cares enough to participate and I hope he enjoys watching how lengths of fabric become sturdy, well-loved garments.
All that remains to start on the coat are buttons: we found some nice ones at CanvasWorks but ultimately he leaned toward cloth-covered, which I think is a great idea. I'll have to scout online to find some along with the Dylon and an embroidered cord fabric for a friend sewing for her daughter.
I'm happiest when kept busy sewing, being with family and friends, and writing. And I'm getting enough of all, lately.
Then - the event of the day, a roadtrip to Olympia with my family. We hit Joann's and then CanvasWorks, my mom stopping at Bayside Quilter's. Despite fabric temptation that sometimes feels like a once-a-year visit to a whorehouse, I only bought one bit of yardage on impulse (seen below with the lace beading and ribbon for my corset top):

Will I ever grow out of poison green? Why would I want to?
I will be dyeing the lace beading to a slightly-darker rose pink, I think. I also think I'll use Dylon but am open to suggestions.
The rest of the shopping focussed on the yardage and notions for my brother's Portland coat.

I am thrilled he actually wants a coat from me; in the past the little grub has tried to talk me out of sewing for him, period. Today he turned into rather an exacting customer regarding fabrics. This was actually great for me; anything worth sewing is worth sewing the way you want it. I am glad he cares enough to participate and I hope he enjoys watching how lengths of fabric become sturdy, well-loved garments.
All that remains to start on the coat are buttons: we found some nice ones at CanvasWorks but ultimately he leaned toward cloth-covered, which I think is a great idea. I'll have to scout online to find some along with the Dylon and an embroidered cord fabric for a friend sewing for her daughter.
I'm happiest when kept busy sewing, being with family and friends, and writing. And I'm getting enough of all, lately.
Labels: birlo, corsetry, outerwear, sewing for FOO
More corset today. Me happy.

This afternoon I assembled the shell of in order to perform a second and final fitting before sewing layers together and adding bones. In this photo you can notice the flat planes of the corset in the middle of the body: that's where the waist is! The off-white piece in the center is a lining piece, flipped out. Once the shell is assembled and modified (if necessary), any changes are made to the lining pattern as well, the lining is sew together, then layers are basted. I hope to be moving on to basting by tomorrow.
So from here I laced (rabbit-ear style) and put the corset on - with my mom's help. While eating a hamburger, by the way - and thinking of the scene in Gone With The Wind where Scarlet refuses to eat before putting her dress on in order to fully enjoy the upcoming barbecue at the Wilkes'.
Yeah, whatever. It's a great book.
Sadly, my stitching lines on the wrong side did not form smooth curves; now while there are no noticeable problems from the outside it still irritates me. I have this hunch that my little Kenmore couldn't quite drive the needle in and secure the duck well enough - that fabric is quite stiff and strong. Since my Lady 201 is in the shop { sniff! } I will have to try - my Spartan! I have a hunch it will perform better than Sears' equipment.
OK, I owe it to my three readers to show a picture of my fitting:

I absolutely shudder to post a photo of such low quality. But aside from that - you know what? It fits quite well except - it laces shut in the back (instead of the goal 2 inch spread)! Do you know why? Because I sewed it with 1/2" seam allowances instead of 5/8". Do the math and you'll discover eight seams times 1/8" extra ease = 2"! This means I measured and designed the pattern perfectly for my shape. You know what? That feels very, very cool.
So even though this means I will have to tear out and resew all eight seams I am completely ecstatic that the math works out and I have measured and designed the pattern correctly.
I want to add a few more notes: one, fitting properly means the side seams, upper back, and lower front hem are not too long such that the bones will dig into my body. Perfect. I noticed that for my size I do not seem to have a long or short torso; good to know for future garments.
And - yes, the corset is very comfortable. In fact, it feels amazing on my back.
I'm kind of sad you can't see my extra-long fly on my jeans, which I bought as work pants for Froghill over a year ago. Mr. Dawson would have been proud.

This afternoon I assembled the shell of in order to perform a second and final fitting before sewing layers together and adding bones. In this photo you can notice the flat planes of the corset in the middle of the body: that's where the waist is! The off-white piece in the center is a lining piece, flipped out. Once the shell is assembled and modified (if necessary), any changes are made to the lining pattern as well, the lining is sew together, then layers are basted. I hope to be moving on to basting by tomorrow.
So from here I laced (rabbit-ear style) and put the corset on - with my mom's help. While eating a hamburger, by the way - and thinking of the scene in Gone With The Wind where Scarlet refuses to eat before putting her dress on in order to fully enjoy the upcoming barbecue at the Wilkes'.
Yeah, whatever. It's a great book.
Sadly, my stitching lines on the wrong side did not form smooth curves; now while there are no noticeable problems from the outside it still irritates me. I have this hunch that my little Kenmore couldn't quite drive the needle in and secure the duck well enough - that fabric is quite stiff and strong. Since my Lady 201 is in the shop { sniff! } I will have to try - my Spartan! I have a hunch it will perform better than Sears' equipment.
OK, I owe it to my three readers to show a picture of my fitting:

I absolutely shudder to post a photo of such low quality. But aside from that - you know what? It fits quite well except - it laces shut in the back (instead of the goal 2 inch spread)! Do you know why? Because I sewed it with 1/2" seam allowances instead of 5/8". Do the math and you'll discover eight seams times 1/8" extra ease = 2"! This means I measured and designed the pattern perfectly for my shape. You know what? That feels very, very cool.
So even though this means I will have to tear out and resew all eight seams I am completely ecstatic that the math works out and I have measured and designed the pattern correctly.
I want to add a few more notes: one, fitting properly means the side seams, upper back, and lower front hem are not too long such that the bones will dig into my body. Perfect. I noticed that for my size I do not seem to have a long or short torso; good to know for future garments.
And - yes, the corset is very comfortable. In fact, it feels amazing on my back.
I'm kind of sad you can't see my extra-long fly on my jeans, which I bought as work pants for Froghill over a year ago. Mr. Dawson would have been proud.
Labels: corsetry
back to my current favorite project
3 comments Published by Kelly Hogaboom on Thursday, July 26, 2007 at 10:03 PM.
Corsetry 101 for those unfamiliar: The back of this Victorian corset laces up. The front opens and closes with aid of a busk - sort of like a modern-day bra's back closure. You sew the busk in, which is what I did today. The front center top of the corset is represented by the safety pins - a tip from the invaluable Laughing Moon DVD.

After you trace the closure positions on the right-hand side of the corset (marking the wrong side of lining), you stitch and backstitch to leave openings in between the lining and shell. Then turn, press, and topstitch reinforce: you can see I've marked with pins where I need to leave an opening for the closures.

Here I'm inserting the right-hand busk side between lining and shell.

Topstitch busk in place. I did a pretty wonky job. Will do better next time; I need a different zipper foot for this.

Busk in place.

Setting post-side of busk. I'm starting to enjoy punching (or rather, awling) holes in fabric. This was easier than grommet setting (by hand, mallet, and die set) as well.

To drive in awl: here my fingers are positioned on front center seam. Put the awl perpendicular while driving it in for the most exact placement.
Today I also applied shrink tubing to the ends of my laces (aglet and crimper will be bought at a future date) and am ready to sew the shell together for the second fitting. Fun and more fun!
(Flickr tag set on corsetry)
Labels: corsetry
summer dress - hope it lasts
0 comments Published by Kelly Hogaboom on Wednesday, July 25, 2007 at 8:28 PM.
Nels' coat is finished; however the back-zipper just really was a pain in my balls and I did a horrible job (next time; back to a more traditional and less Ottobre-tricky method). I left it with the local Italian seamstress matriarch because I knew if I tried it again, I might not end up with better results. OK, so now that my corset materials have arrived I can get back to it, eh?
Um, not yet, I guess.

Clam in the sand.
Yesterday at the thrift store my daughter spied this dress, a small (size 6?), slim little sleeveless number:

I just loved the aqua-and-olive color scheme, although I wasn't too inspired by the print. Still, Sophie pointedly said, "Mom, I want you to get this dress and sew it smaller for me." The little weasel knows I can do this and truthfully, her dresses are looking a little threadbare. OK, OK, one more project and then the corset. Oh yeah, and first, a sewing night with a would-be student. OK, OK.

On a quick and easy project like this I use what I already have; in this case, some of my Coats & Clark thread I'm trying to weed out, as well as some decades-old bias tape for the bodice arm edges (I'm thinking the bias tape is as old as the era the fabric print is trying to emulate).

I love this! The dress had four sets of darts: underarm, french (featured above), and on the back - shoulders, waist. The front of the dress is the wrong side out and I topstitched the darts down. It adds structure and would be a definitely fabulous idea for a plainweave or small-pattern print.
Hems:
OK. Double straight stitch the bottom, then pink.

First.

Second.
My parallel stitching was actually a spiral (that's why it's offset) meaning I had four loose threads to gather and invisible-knot. Perfect hem!

Finis.
Flickr tag set with more notes.
Um, not yet, I guess.

Clam in the sand.
Yesterday at the thrift store my daughter spied this dress, a small (size 6?), slim little sleeveless number:

I just loved the aqua-and-olive color scheme, although I wasn't too inspired by the print. Still, Sophie pointedly said, "Mom, I want you to get this dress and sew it smaller for me." The little weasel knows I can do this and truthfully, her dresses are looking a little threadbare. OK, OK, one more project and then the corset. Oh yeah, and first, a sewing night with a would-be student. OK, OK.

On a quick and easy project like this I use what I already have; in this case, some of my Coats & Clark thread I'm trying to weed out, as well as some decades-old bias tape for the bodice arm edges (I'm thinking the bias tape is as old as the era the fabric print is trying to emulate).

I love this! The dress had four sets of darts: underarm, french (featured above), and on the back - shoulders, waist. The front of the dress is the wrong side out and I topstitched the darts down. It adds structure and would be a definitely fabulous idea for a plainweave or small-pattern print.
Hems:
OK. Double straight stitch the bottom, then pink.

First.

Second.
My parallel stitching was actually a spiral (that's why it's offset) meaning I had four loose threads to gather and invisible-knot. Perfect hem!

Finis.
Flickr tag set with more notes.
Labels: dresses
Yes, I made my first pair of assless chaps!
0 comments Published by Kelly Hogaboom on Tuesday, July 17, 2007 at 9:43 AM.
OK, this is an inside joke in my household (yes, I know chaps are assless). These beauties were an entry for the Instructables / Etsy SewUseful contest (Instructables is having server timeouts - as soon as I'm able to, I will link to the tutorial posted there).

Now you see 'em...

Now you don't! How about the "stealth mode"?

I made a pocket to hold an iPod shuffle - on the right side, sorry southpaws. I love sewing patch pockets. Other pockets, not so much.

I think this was actually the last project I successfully sewed on my old Singer - it's top and bottom tension assemblies are sad and I can't make them work. I need to get it into a shop.

Messing about with waist strap length. Webbing is easy to sew. I did a three-sectioned strap for waist, thighs, and knees, that included elastic as the middle section of the strap. They are comfy and won't come loose.
So, silly as this is, there is actually an Etsy listing for this item and it is for sale (it was a requirement for the contest). So now I have an Etsy shop. As if I want to start selling anything! But... my shop looks empty. So I'm thinking it over... I'm not going to be another tote bag / cloth pad / caddy-of-some-sort artiste, we have enough far more talented and inspired in those venues than I.

Now you see 'em...

Now you don't! How about the "stealth mode"?

I made a pocket to hold an iPod shuffle - on the right side, sorry southpaws. I love sewing patch pockets. Other pockets, not so much.

I think this was actually the last project I successfully sewed on my old Singer - it's top and bottom tension assemblies are sad and I can't make them work. I need to get it into a shop.

Messing about with waist strap length. Webbing is easy to sew. I did a three-sectioned strap for waist, thighs, and knees, that included elastic as the middle section of the strap. They are comfy and won't come loose.
So, silly as this is, there is actually an Etsy listing for this item and it is for sale (it was a requirement for the contest). So now I have an Etsy shop. As if I want to start selling anything! But... my shop looks empty. So I'm thinking it over... I'm not going to be another tote bag / cloth pad / caddy-of-some-sort artiste, we have enough far more talented and inspired in those venues than I.
Labels: outerwear cycling sewuseful
coats 'n' more coats, in the 75 degree weather
1 comments Published by Kelly Hogaboom on Sunday, July 08, 2007 at 8:32 PM.
Today I joined the lining and underlining for Ottobre 05/06 #10. I also marked the pattern pieces and assembled the pocket. I am currently fretting over the pocket flap and hood trim, which instead of a cotton fur knit (P.S. Ottobre, *where* do you get these fabrics?) is a fleece. I don't think the fleece looks all that good as a trim although with regards to the above pocket flap I know trimming seam allowances, pressing, and topstitching will improve matters.
Shout-out to Gutterman's topstitching thread which really does look nice on this twill.
In other news, today was my brother's birthday. I made him a CD, my daughter drew him a fabulous card, and I created him a Custom Order Form for what I'm calling his Portland Coat - as he's moving soon. Here's what he got in his card (click to enlarge):

To my surprise, he actually assented to filling this out with me which included me discussing technique and measuring him at his shoulders, arms, chest, waist, and hips (tee hee!).
Although I can't afford to buy fabric right now (or rather I can... but my gas heat has been turned off for a week and perhaps I should pay that bill instead!) this project will be the next fabric purchase I make - along with that for my Vietnamese Ao Dai.
Labels: Nels, ottobre, outerwear, sewing for FOO
While I wait for the remainder of my corset hardware to arrive in the mail, I'm making my 3-year old Nels a coat. I know, odd considering this weather, eh? The thing is, with my Wardrobe Refashion commitment I have to think a bit ahead on the family's raingear - especially since I live in about the rainiest damn place, ever.
And before I get to my sewing work - speaking of my Wardrobe Refashion project, I made a little tool to track what clothes I need to sew and what I've finished.

Download a blank template here: [ pdf ] (2 pages)
So on to today's work. Last fall I fell in love with this zip-back parka:

(shoutout to Ottobre Design, my favorite Euro pattern mag. For $40 a year I get more patterns than I could ever hope to sew - in all sizes for children and women.)
I've always loved zip-back coats because they are cute as hell and, well, that's a good enough reason, eh? I also could just picture Nels' little gnome-face poking out of this hood and him using the front pocket to carry things - his favorite pastime is foraging on our many walks.

Here are the fabrics I'm using - from left to right, a yummy Malden Mills fleece (color "chili", 100 wt), a super-soft Alexander Henry bullfighter's cotton, and an awesome, supple middleweight twill that is also weatherproofed (but you wouldn't know it to feel it). The coat will be lined with the bullfighting print which is underlined by fleece.

Cutting. A rotary mat and equipment make for fast cutting. I don't pin since my tracing medium is cloth-like (and slightly "sticks") and because I'm rather experienced and find I don't need it.

It takes 27 cut pieces to make this coat! Just something to think about the next time you want to say, "Oh, you should MAKE THOSE and SELL THEM!" Because if I did *that* in any quantity, I'd find no time for anything else, let alone sewing my children's winter gear.
And before I get to my sewing work - speaking of my Wardrobe Refashion project, I made a little tool to track what clothes I need to sew and what I've finished.

Download a blank template here: [ pdf ] (2 pages)
So on to today's work. Last fall I fell in love with this zip-back parka:

(shoutout to Ottobre Design, my favorite Euro pattern mag. For $40 a year I get more patterns than I could ever hope to sew - in all sizes for children and women.)
I've always loved zip-back coats because they are cute as hell and, well, that's a good enough reason, eh? I also could just picture Nels' little gnome-face poking out of this hood and him using the front pocket to carry things - his favorite pastime is foraging on our many walks.

Here are the fabrics I'm using - from left to right, a yummy Malden Mills fleece (color "chili", 100 wt), a super-soft Alexander Henry bullfighter's cotton, and an awesome, supple middleweight twill that is also weatherproofed (but you wouldn't know it to feel it). The coat will be lined with the bullfighting print which is underlined by fleece.

Cutting. A rotary mat and equipment make for fast cutting. I don't pin since my tracing medium is cloth-like (and slightly "sticks") and because I'm rather experienced and find I don't need it.

It takes 27 cut pieces to make this coat! Just something to think about the next time you want to say, "Oh, you should MAKE THOSE and SELL THEM!" Because if I did *that* in any quantity, I'd find no time for anything else, let alone sewing my children's winter gear.
lips, hips, tits, power!
3 comments Published by Kelly Hogaboom on Sunday, July 01, 2007 at 7:44 PM.
I am making... drumroll... wait for it, wait for it...
A corset!
I know. Dumb, huh? I mean here I have six months of sewing for the family ahead of me, so I'm going to spend time and money making a corset. Well I just fucking am.
My corset is #100 (View A or Dore) from Laughing Moon Mercantile. There are many reasons I chose this pattern from this company, and as I've worked on this project I'm increasingly glad I made this choice (email me if you want to know why). Yesterday I embarked upon this journey which ultimately meant tracing, cutting, and marking 45 pieces of fabric! No, but really - it was fun.
So here we go.

These are the pattern pieces for the Dore view. This Victorian corset is really two halves - when worn, the front is held together by a busk and the back, by laces. Here you see the pieces for one half, laid out from center front to center back, left to right. Notice the many cutting lines. Yikes! To avoid cutting the pattern (or even marking my cutting lines in red pencil), I taped each piece to the window, laid my tracing paper over, and traced, grading for size (my bust, waist, and hips correspond to different pattern sizes).

Traced and ready to go! Again, laid out front to back. The red markings are the boning channels. Boning is sewn together towards the end of the process when your layers are basted together. Boning channel lines will be transferred to the lining only.

Making a muslin (not to be confused with the word "muslim", which I do all the time). A muslin (also called a wadding or toile) is a test garment made of similar fabric without unnecessary features, used to evaluate fit. It sounds like a complete fuck-off waste of time, eh? But for something like a corset, making a muslin ensures you will not be crying tears of rage when your lovely finished, three layer, hand-hammered and boned corset rolls down in the bust or laces shut in the back. The Laughing Moon DVD on Victorian corsets gives a great demonstration of fit for this corset; it's not as hard as you think. Oh, and if you have a sharp eye you will notice the far-right piece - the center back - is upside down.
My muslin turned out well. I decided to trim 1/2" off the center back (before grommets were applied) and 1/2" off the center front. No further alterations were necessary. I marked these changes of 1/2" on my pattern and made notes. I was then free to cut the fabric for the actual garment. I will keep my muslin to evaluate fit if I make another corset (weight gain or loss would effect future garments' fit).

My fabrics. I am drooling. The corset is two-layered. Since I wanted a pretty fabric on the public side, I sewed an overlay (the pink and olive cotton) to the outer layer or shell; I will then treat these pieces as one. So in this photo on top we have the lining fabric, or what will face my body. In the middle we see the overlay, which has been stitched to the shell (or strength) corset fabric. The bottom piece we see what the shell is made of - a natural cotton duck (quack!).

Stitching the overlay to the shell. It can be harder than it looks; here I'm making it easier by using a walking foot.

A word of caution. Corset pattern pieces can be either rectangular, hourglass, or spoon-shaped and it's not always easy to tell which way is up. Can you tell? Here's a hint:

This is the center-back piece - the narrower edge is the top of the corset. While taking off my 1/2" at the top of the back I accidentally started cutting into the top - you can see the divet off the bottom of the pieces (there are two identical divets because I layer pattern pieces to cut them).

I just had to get to a final seam! This is one of the first things you do after you have all your pieces cut - you join the lining to the shell in the center back. Here you see the two center-back facings, public (left) and lining-side (right). I am using brown-gold thread in the top, natural white in the bobbin case.

45 pieces and many stitches later, we see the center back with two boning channels per side and grommet markings. So tomorrow I will be whacking 34 grommets in place.
An exacting seamstress will note you can see a strip of the white lining on the center back facings. Well, I like the effect. Also as well I did not follow instruction which made this pressing hard. After sewing I trimmed down my seam allowances to 1/4" before pressing, instead of pressing first. My 1/4" of strong cotton duck did not want to lie flat; and frankly, I didn't feel like trying that hard. However, it was a good reminder to follow directions; after all, I think Laughing Moon knows what they're doing more than I do!
Speaking of next time, tune in as I whack grommets and sit by the mailbox grasping my hands and awaiting my busk!
A corset!
I know. Dumb, huh? I mean here I have six months of sewing for the family ahead of me, so I'm going to spend time and money making a corset. Well I just fucking am.
My corset is #100 (View A or Dore) from Laughing Moon Mercantile. There are many reasons I chose this pattern from this company, and as I've worked on this project I'm increasingly glad I made this choice (email me if you want to know why). Yesterday I embarked upon this journey which ultimately meant tracing, cutting, and marking 45 pieces of fabric! No, but really - it was fun.
So here we go.

These are the pattern pieces for the Dore view. This Victorian corset is really two halves - when worn, the front is held together by a busk and the back, by laces. Here you see the pieces for one half, laid out from center front to center back, left to right. Notice the many cutting lines. Yikes! To avoid cutting the pattern (or even marking my cutting lines in red pencil), I taped each piece to the window, laid my tracing paper over, and traced, grading for size (my bust, waist, and hips correspond to different pattern sizes).

Traced and ready to go! Again, laid out front to back. The red markings are the boning channels. Boning is sewn together towards the end of the process when your layers are basted together. Boning channel lines will be transferred to the lining only.

Making a muslin (not to be confused with the word "muslim", which I do all the time). A muslin (also called a wadding or toile) is a test garment made of similar fabric without unnecessary features, used to evaluate fit. It sounds like a complete fuck-off waste of time, eh? But for something like a corset, making a muslin ensures you will not be crying tears of rage when your lovely finished, three layer, hand-hammered and boned corset rolls down in the bust or laces shut in the back. The Laughing Moon DVD on Victorian corsets gives a great demonstration of fit for this corset; it's not as hard as you think. Oh, and if you have a sharp eye you will notice the far-right piece - the center back - is upside down.
My muslin turned out well. I decided to trim 1/2" off the center back (before grommets were applied) and 1/2" off the center front. No further alterations were necessary. I marked these changes of 1/2" on my pattern and made notes. I was then free to cut the fabric for the actual garment. I will keep my muslin to evaluate fit if I make another corset (weight gain or loss would effect future garments' fit).

My fabrics. I am drooling. The corset is two-layered. Since I wanted a pretty fabric on the public side, I sewed an overlay (the pink and olive cotton) to the outer layer or shell; I will then treat these pieces as one. So in this photo on top we have the lining fabric, or what will face my body. In the middle we see the overlay, which has been stitched to the shell (or strength) corset fabric. The bottom piece we see what the shell is made of - a natural cotton duck (quack!).

Stitching the overlay to the shell. It can be harder than it looks; here I'm making it easier by using a walking foot.

A word of caution. Corset pattern pieces can be either rectangular, hourglass, or spoon-shaped and it's not always easy to tell which way is up. Can you tell? Here's a hint:

This is the center-back piece - the narrower edge is the top of the corset. While taking off my 1/2" at the top of the back I accidentally started cutting into the top - you can see the divet off the bottom of the pieces (there are two identical divets because I layer pattern pieces to cut them).

I just had to get to a final seam! This is one of the first things you do after you have all your pieces cut - you join the lining to the shell in the center back. Here you see the two center-back facings, public (left) and lining-side (right). I am using brown-gold thread in the top, natural white in the bobbin case.

45 pieces and many stitches later, we see the center back with two boning channels per side and grommet markings. So tomorrow I will be whacking 34 grommets in place.
An exacting seamstress will note you can see a strip of the white lining on the center back facings. Well, I like the effect. Also as well I did not follow instruction which made this pressing hard. After sewing I trimmed down my seam allowances to 1/4" before pressing, instead of pressing first. My 1/4" of strong cotton duck did not want to lie flat; and frankly, I didn't feel like trying that hard. However, it was a good reminder to follow directions; after all, I think Laughing Moon knows what they're doing more than I do!
Speaking of next time, tune in as I whack grommets and sit by the mailbox grasping my hands and awaiting my busk!
Labels: corsetry
